Mumbi is an acclaimed theatre creator and director raised in Kenya and
Victoria, BC and based in Toronto. She recently won a Dora Award for her Outstanding Direction of The Brothers Size, which also won for Outstanding Production.
She is the Founder/Artistic Director of the experimental theatre company IFT (It’s A Freedom Thing Theatre) Theatre and also recently directed the critically acclaimed plays: Trout Stanley (Factory Theatre), Here are the Fragments (The Theatre Centre/The ECT Collective), Ma Rainey’s Black Bottom (Soulpepper) and Oraltorio: A Theatrical Mixtape (Obsidian/Soulpepper).
Mumbi is also the recipient of a Toronto Theatre Critics Award, an Artistic Director’s Award (Soulpepper), a Pauline McGibbon Award , a Mallory Gilbert Protege Award, a Harold Award, and has been twice nominated for the John Hirsch Directing Award. She is a graduate of Soulpepper Academy, York University and University of Toronto as well as Obsidian Theatre’s Mentor/Apprenticeship Program.
Michael feels like he is coming home, having stage managed Obsidian’s first show, Djanet Sears’s ‘Adventures of a Black Girl in Search of God’ plus several other shows for Obsidian over the years. He now joins the company as our new General Manager. Prior to a career in stage management, Michael worked as an accountant and so he brings a strong financial background to the job. He is well versed in theatre from one end of the country to the other. Michael is looking forward to marrying the administrative and the production elements in the theatre community and all the challenges that they present. This is what Obsidian does best; we give our community the tools and craft to help people make those major career moves.
Fatuma Adar is a Somali-Canadian writer based in Toronto. She was long-listed in CBC’s Creative Nonfiction Prize and profiled in Up Close: Young Black Women Making Canada Better. In 2017, she joined the third cohort of The Bars Workshop at the Public Theater in New York City. Her work has been featured in the Toronto Star, The Globe & Mail and an anthology entitled Black Writers Matter published by the University of Regina Press. She is developing a new musical called Dixon Road with support from the OAC, TAC, Obsidian Theatre and The Musical Stage Company. Fatuma is excited to continue her work advocating for Black Creators as Obsidian’s Artistic Producer.
Learn more about Fatuma and her work on her website: www.fatumaadar.com
Vanessa C Spence is a classically trained theatre performer, playwright, producer, and arts educator. She is a creative entrepreneur with over seven years of experience in the performance arts industry and social sectors with a specialization in marketing & communications. Vanessa is the artistic director of Virtu Arts (virtuarts.ca), an emerging theatre company that develops the work and artistry of African, Caribbean, and Black diasporic artists and creators in regions outside of Toronto.
At the root of her artistry, Vanessa seeks to inspire empathy and action by shedding light on the thought processes of folks in marginalized communities. Currently, Vanessa is developing her latest project, Stretch Marks, through an OAC creative residency with Pat The Dog Theatre Creation with her plays’ first workshop premiering at the IMPACT21 Festival.
Vanessa is feeling blessed and highly flavoured to begin this leg of her artistic journey as Obsidian’s Producer.
Playwrights Unit Facilitator
Lisa Codrington is an actor and writer based in Toronto. She has been nominated for the Governor General’s Award for Drama and is a recipient of the K.M. Hunter Theater Award and the Carol Bolt Award for Playwrights. Selected writing credits include The Prescription – 21 Black Futures (Obsidian/CBC) The Adventures of the Black Girl in Her Search for God (Shaw Festival, Karamu House); Up the Garden Path (Obsidian Theatre); The Aftermath (Groundswell Festival, Femfest); The Colony – Opera to Go (Tapestry); Cast Iron (Nightwood Theatre & Obsidian Theatre). Currently, Lisa is developing two new plays and is playwright in residence at Why Not Theatre.